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Book Chapters
(2023) Chapter titled Interspecies Cyborgs: Edges of Contemporary Painting in the book Sensorial Modernities, published by Routledge as part of the series Visual Modernities.
(2022) Co-written chapter Danby, C. Smith, R. Limelight: Other Actions of Observation and Navigation in the book Postcards from the Anthropocene: Unsettling the Geopolitics of Representation, published by DPR Barcelona (2022), open access through:http://www.postcardsfromtheanthropocene.com/(pp228-235).
(2016) Chapter titled Outside Objects in the book Graham Gussin: CLEARBLUESKYDEEPDARKWATER published by CGAC Creacíon (2016) (pp52-61). ISBN 978-84-453-5211-3
(2008) Chapter titled It Started With A Car Crash; It Ended With The Drought for the book The Bruce High Quality Foundation & Other Ideas, published by BHQF Press (2008) (pp.153-157).
Journals
Brown, J, and Danby, C. (2017) Legalities of Authenticity in Performance Art. Beitrage zur Erhaltung Von Kunst – und Kulturgut, Verband der Restauratoren. pp.84-89.
Papers
Danby, C., Smith, R. (2018) Performance: Limelight (Further Actions of Observation and Navigation). Conference: Granular: The Material Properties of Noise, Greenwich University
Danby, C., Smith, R., (2017) Performance: Limelight (Other Actions of Observation and Navigation). Conference: Postcards From The Anthropocene: Unsettling the Geopolitics of Representation, Edinburgh University
Brown, J., and Danby, C. (2016) The Legalities of Authenticity in Performance Art. Symposium: Collecting and Conserving Performance Art, Kunstmuseum Wolfsburg, Germany
Danby, C, Smith, R., (2014) The Quarry. Symposium: Revisiting the Quarry: Excavation, Legacy and Return, Yorkshire Sculpture Park, as part of the Hayward Touring exhibition: Uncommon Ground: Land Art in Britain 1966-79
Danby, C. (2013) Colour Matter. Conference: Colour As Material. Academy of Fine Art, Helsinki, Finland
Art Books and Exhibition Catalogues
Badia, M, Bode, S, Chodzko, A, Codognato, M, Curtis, P, Danby, C, Gussin, G, Lahavere, M, Mkrrison, G, Sancho, E Strange, J, Torres, D, Perez, M, Pomery, V, Ulloa, A, Wood, J, Wilson, A. (2016) Outside Objects. Grahah Gussin, Clearblueskydeepdarkwater. CGAC Creacion, Spain. Pp53-61
Danby, C. (2014-15) Estelle Thompson: White Lies. Oriel Sycarth, Wales. pp1-2-2
Danby, C, Pippin, S, Stange, R. (2013) A Monument of the Future. Steven Pippin, Omega Equals One. Dilston Grove, London. p1
Danby, C, (2012) A Capacity For Movement, Zoe Schoenherr. The Foundary Gallery, London. pp34-35
Danby, C. (2011) Fluctuations. Are Blytt. NABROAD, Norway.
Danby, C, De Boever, A, Lee, J. (2010) The Drowning World. Airspace, Sheffield. pp6-11, 15-25
Danby, C. (2011) Absynthe and Presents. Brewhouse Galley, Somerset. pp2-6
Aitch, I, Allsop, Bickers, P, Cullinan, C, Dillon, B, L, Danby, Foster, A, Harrison, C, C, Horrocks, C, Geldard, R, Mackay, J, MacKinven, A, Moorehouse, P, Mulholland, N, Pettersen, M, Rood, K, Sherwin, S, Surtess, Williams, EJ, Wollen, P (2010) Grand National – Art From Britain. Vestfossen Kunstlaboratorium, Norway. pp9-12, 29-43, 121-123, 171-176, 215-216
Danby, C, Munk, T. (2009) The Persistence of the Present, Thomas Raat. MUMU Malice and Misunderstanding. Space, London. pp46-53
Danby, C, Hughes. H. (2009) London Calling, who gets to run the world. Total Museum of Contemporary Art, Seoul, South Korea. Pp26-70
Danby, C. (2008) Our Immortal Souls. Maya Hewitt. Bischoff/Weiss, London. Pp36-39
Danby, Doyle, J, Durden, Hobson, G, M, C, Reid, A, Whitehall, J. (2008) Monologue / Dialogue. Pavilion, Leeds. pp4-12
Danby, C. Le Feurve, L. (2007) The Invention of Soiltude. Nunnery, London. pp3-21, 62-69
Danby, C, Han, K-H, Hunt, A, Jeffrey, I, Sherwin, S. (2007) Introduction: Abandoned Protocol. Ritter/Zamet Gallery, London. p3
Danby, C. (2007) Repetition and Sequence. Bedlum Gallery, Brunel University. Pp4-5
Danby, C. (2007) Fernando Aceves Humana. Nomad, London. pp2-3
Danby, C. (2007) Colour Codes, Rana Begum. Third Line, Dubai. pp4-5
Danby, C, McGowan, B-L. (2007) Luminous Territories, Nathaniel Rackowe. Bischoff/Weiss, London. pp3-4
Danby, C. (2007) Forward: Gideon Rubin. Rokeby, London. pp4-5
Chambers, E, Calovski, Y, Danby, C, Lapp, A (2006) The Locality of the City. Spike Island, Bristol. Pp4-8
Danby, C, Ospina, O. (2004) Trackers, Pitzhanger Manor, London. pp5-16, 53-54, 61-62, 73-74
Art Magazines
(2010) Article: History in Context, Zarina Bhimji. Aesthetica, Issue 44, December-January. pp44-49
(2009) Review: Simon Faithful at BFI, London. Flash Art, Volume XLII, Number 268, October. p101
(2008) Review: Jon Pylypchuk at Alison Jacques, London. Flash Art, Volume XLII, Number 265, March-April. p86
(2008) Review: Steve Van Den Bosch at Alexandre Pollazzon, London. Flash Art, Volume XLI, Number 261. P252
(2008) Review: Joan Jonas at Wilkinson, London. Flash Art, Volume XLI, Number 261, July-September. pp251-252
(2008) Spotlight: The Revolution Continues. Flash Art, Volume XLI, Number 263, November – December. p83
(2008) Review: Death of Affect, Parade, London. Untitled, Issue 45, Spring. pp26-27
(2008) Review: Citadel, David Risley, London. Untitled, Issue 44, Winter. Pp18-19
(2008) Community Engagement Supplement: Gayle Chong Kwan, Underground Exchanges. AN Magazine. p7
(2008) Review: Chloe Steele at Day & Gluckman, London. AN Magazine, June
(2007) Review: Anticipation, One One One, London. AN Magazine, July
(2007) Review: Nora Schultz, Sutton Lane, London. Untitled, Issue 43, Autumn. pp24-25
(2007) Review: Jeneau Projects, FA Projects, London. Untitled, Issue 41, Spring. pp8-9
(2007) Review: Sister Corita, Between Bridges, London. Untitled, Issue 40, Spring. pp4-5
(2007) Article: Jerusalem, Paolo Giudici. Miser & Now. Issue 11. pp2-5
(2007) Article: Union Gap, Nathaniel Rackowe. Miser & Now. Issue 11. pp42-45
(2007) Article: Taking the Credits, Charlie Woolley. Miser & Now. Issue 11. pp50-53
(2007) Interview: Attention on Small Details, Matthew Lutz-Kinoy. Miser & Now. Issue 10. pp76-79
(2007) Interview: Ben Judd. Miser & Now. Issue 10. pp2-5
(2007) Review: Liz Rideal, Fall, River, Snow: Water Drape, Ice Stream, Deer Portrait at Compton Verney, UK. C-Magazine, Issue 93, Spring
(2007) Review: Canada, Counter Gallery, UK. C-Magazine, Issue 91, Autumn. pp51-52
(2006) Review: Goshka Macuga, Sleep of Ulro at Liverpool Biennale, UK. C-Magazine, Issue 92, Winter
(2006) Article: Surveillance in contemporary Art. Wonderland, Issue, September-October. pp210-213
(2006) Review: Vidya Gastaldon at Alexandre Pollazzon, London. Frieze, Issue 103, November-December. p171
(2006) Review: Jim Shaw at Emily Tsingou, London. Frieze, Issue 100, June-August. p275
(2006) Review: The Animators at Spacex Gallery, Exeter. Art Review, April. p126
(2006) Review: Andrew Mania at Chisenhale Gallery, London. Art Review, January. p108
(2006) Review: Picnic Area (dumb interior), Room Gallery, Bristol. AN Magazine, April. p7
(2006) Review: Robert Beck, Stephen Friedman Gallery. Untitled, Issue 39 Winter. pp27-28
(2006) Review: Kate Davis, Dicksmith Gallery, London. Untitled, Issue 37, Spring. p71
(2006) Review: Rafal Bujnowski, Norwich Gallery. Untitled, Issue 38, Summer. p53
(2006) Article: Estelle Thompson. Miser & Now. Issue 8. pp8-10
(2006) Article: Unplanned Consequences, Rob Smith and Sharon Beavan. Miser & Now. Issue 6. pp14-16
(2006) Profile: Iain Forsyth and Jane Pollard. I-D Magazine, Number 267, June-July. p36
(2006) Profile: Cao Fei. I-D Magazine, Number 266, May. p40
(2006) Profile: Bedwyr Williams. I-D Magazine, Number 264, March. p76
(2006) Profile: Gary Webb. I-D Magazine, Number 262, January. p41
(2005) Review: Dionysiac Exhibition at Pompidou Centre, Paris. Art Review, April. p104
(2005) Profile: Andrew Mania. I-D Magazine, Number 260, November. p66
(2005) Profile: Gordon Cheung. I-D Magazine, Number 258, September. p98
(2005) Profile: Goshka Macuga. I-D Magazine, Number 258, September. p60
(2005) Profile: Christian Ward. I-D Magazine, Number 256, July. p48
(2005) Profile: Mathew Weir. I-D Magazine, Number 255, June. p50
(2005) Profile: JP Munro. I-D Magazine, Number 252, March. p96
(2005) Article: Pleasure Vs The Moral Majority. Miser & Now. Issue 5. pp6-12
(2005) Review of REAP, Café Gallery Projects. AN Magazine, November. p6